It made her mad, the look of delight that came into his eyes. She could have boxed his ears. Hadn’t he anything else to do but hang about the streets. Folk had fixed up a party at his studio to meet her. She had been there once or twice; but this was a final affair. She had finished her business in Paris and would be leaving the next morning. To her surprise, she found Phillips there. He had come over hurriedly to attend a Socialist conference, and Leblanc, the editor of Le Nouveau Monde, had brought him along.!

What would life leave to her? A lonely lodging and a pot of ink that she would come to hate the smell of. She could never marry. It would be but her body that she could give to any other man. Not even for the sake of her dreams could she bring herself to that. It might have been possible before, but not now. She could have won the victory over herself, but for hope, that had kindled the smouldering embers of her passion into flame. What cunning devil had flung open this door, showing her all her heart’s desire, merely that she should be called upon to slam it to in her own face? They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it.

“I don’t mean that it’s all their fault,” she continued. “We do all we can to attract them—the way we dress. Who was it said that to every woman every man is a potential lover. We can’t get it out of our minds. It’s there even when we don’t know it. We will never succeed in civilizing Nature.” “The Cyril Baptiste,” he answered, in a low, even, passionate voice, that he flung at her almost like a blow. “The atheist, the gaol bird, the pariah, the blasphemer, the anti-Christ. I’ve hoofs instead of feet. Shall I take off my boots and show them to you? I tuck my tail inside my coat. You can’t see my horns. I’ve cut them off close to my head. That’s why I wear my hair long: to hide the stumps.” Mary argued that England could and should keep out of it; but Greyson was convinced it would be impossible, not to say dishonourable: a sentiment that won the enthusiastic approval of the little drummer in Joan’s brain. He played “Rule Britannia” and “God Save the King,” the “Marseillaise” and the Russian National hymn, all at the same time. He would have included “Deutschland über Alles,” if Joan hadn’t made a supreme effort and stopped him. Evidently a sporting little devil. He took himself off into a corner after a time, where he played quietly to himself; and Joan was able to join in the conversation.